My name is Dave, and I grew up in Minnesota listening to the many punk & hard core bands that I'm featuring here. More important though, is that I'm not just posting the stuff that like, but I'm making an attempt to document every band that had something to do with the punk scene in Minnesota. From your Husker Du & Replacements to Dirt Poor & the Kung Fools. Bands that played bars, and bands that played basements and garages. I'd like it all represented here.
I'd also like your help. I can't possible do it all by myself, so if you want to see something here, let me know. If you see something on the net that deserves a mention here, let me know. If you'd like to contribute, let me know.
If you are in a band that I've posted here, and you want your stuff removed, just ask, and it will be removed. Most of my posts are links to other people's posts. Some of it is from my personal record collection. It is my intent to only post stuff that you can not otherwise buy. Long out of print stuff. If I link to stuff that is in print, I will try to include a link to actually purchase it. That won't happen very often though, since I try to post only stuff that I know to be out of print. If the band has an official website, I'll try to post a link to it. If I get something wrong, or you'd like to contribute something, let me know.
All I ask is that you enjoy the crap I post and if you have any suggestions, send me an email at: webbastard at mnpunk.com
It’s my birthday, so fuck off , I’m not posting anything today.
Maybe you need a date after spending all that time in your basement by yourself. Maybe you’ve got a significant other, but they are frigid ? What would I know? Why would I care? Maybe you just need a record of it all?
Recorded live at 1st Avenue in Minneapolis in late 1984 (I think). Originally released as a cassette only and available at Northern Lights and maybe a few other local music stores.
The recording starts out very muddy during the opening of Bliss but brightens about halfway through the song and remains pretty good for the duration.
There are a total of 12 tracks.
All in all, a pretty good example of the UGs live.
The Replacements show is a classic. It’s from October 18, 1985 and I think it was the first show (UPDATE: it was the Friday night show, #4) of a 5 night stand at the 7th Street Entry in support of their first album on a Major Label – Tim . If you never saw the Replacements in concert, this show is a must. It has it all: the classics, goofy covers and mayhem. Don’t worry, it doesn’t disintegrate into a drunken mess, it is top notch from beginning to end.
Look for other songs from this set. Well worth the view. Great portrait of the band before they became college radio darlings.
Interview 1984
Drunken interview, with a drunken band.
Replacements on KFAI 1983
Make sure to catch parts 2 & 3 too.
I have no idea how I managed to Avoid the ‘mats this long. Complete oversight on my part. They were probably the Minnesota band that came from the punk scene that got the biggest on the national stage. I could be wrong though…Soul Asylum might have been bigger. Of course by the time both bands got big there wasn’t much "punk" left in them, but you can argue that point in the comments section if you’d like.
For those paying attention, These clips are all from the Bob Stinson era of the band. I was never a fan of the Slim Dunlap era myself. That’s not some punk rock elete comment, it’s just my opinion.
This 4-track effort presents thrash of screaming intensity and
instrumental punch, addressing themes of teenage angst and rebellion.
Final Conflict are particularly adept at compositions with dramatic yet
subtle changes of pace, like the title song and the clever steamroller,
"Self-Defeated." Heartfelt, riveting, and therefore highly recommended.
-Steve Spinali (from Maximum Rock'n'Roll #12, March 1984
)
Catalogue Letter: Reflex G
Artist: Final Conflict
Title: Final Conflict
Format: 7"
Date Recorded: 1983
Date Released: Late 1983
Notes: Produced by Bob Mould and Steve Fjelstad
Released simultaneously with Reflex H.
Came with B&W fold-out lyric sheet.
'Fast / noisy / simple hardcore from Minneapolis,
powerful and driving.'
(FLEX discography of US punk & hardcore)
Cover Design: Ron Clark
Pressing: ?
Credited: Produced by Bob Mould.
Boneman--Vocals
Skid--Fish(!?)
Joe--Guitar
Chris--Drums
Contents: In the Family
The Lines Have Faded
Your
Self-defeated
Third in my series of Felix’s bands. As I’ve said before, there are few folks in this state that have done more to promote DIY hardcore than Felix.
If you are wondering why I’m not linking to any downloads of the records, it’s because just about everything Felix has done is still in print by his label Havoc Records.
Burn this racist system down
I’ve been trying how to figure out how to do a post on Destroy since everything they’re ever done is still available from Felix’s Havoc Records. Finally I found a site that posted my favorite Destroy! record, without actually posting the record…just a link to Felix’s site so you can buy it . That’s what the folks at 7" crust have done, and my hat is off to them for that.
Normally, I’m not into the whole Anarcho/crust/growling punk, but Felix is an awesome guy, I lived with Mark at THD, and I met Nate years ago on the old Subrec BBS (pre-internet days). I don’t have anything bad to say about these guys or their band. Great folks, good music, and no doubt that Felix has probably worked harder than anyone in MPLS to promote punk rock over the years.
This release is hands down my favorite by the band. Ode to Ramen! 13 blazing tracks on one 7" record. You know that’s what hardcore is all about.